The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flowers designed 18th-century rug from Senna, Eastern Kurdistan area. This example is special because the flowers are well..

This unique design rug is interpreted by our designers with a mixture of Ararat Rugs' soft green tone natural dyed hand-spun yarns.Color summary: 11 colors in total, most used 4 colors are; Mixture of Green Yarns Ochre 73 (Madder Root) Ginger Church 12 (Spurge - Madder Root) Dusty Turquoise  340..

Introducing the Village Theme Azeri Folk Art Rug (Model: ART00612) from Ararat Rugs, a vibrant testament to the rich weaving traditions of northeastern Turkey. Handcrafted by skilled Azeri and Kurdish artisans, this rug showcases a delightful array of bright, primary colors, reflecting the..

The source of carpet comes from the book Turkish Carpets from the 13th - 18th centuries, Ahmet Ertuğ, 1996 pl.16. This 15th-century carpet is from Ulu Mosque, Divrigi Sivas region, central Anatolia. The Seljuk period marks one of the highest points in art and architecture in carpets Anatolia. It is ..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.159. The field drawing is garden with a pond, designed 16th century rug from Konya, Central Anatolia area, Turkey. It's the so-called 'Bellini Carpet' due to the similari..

This small piece exhibits a forceful design on a small scale in a small area. These kinds of small Turkish yastiks or mats are found which contain an extraordinary amount of power within a very small space. There are diagonal ascending rows of flowers covering the field. Even though the central moti..

This offset pattern is composed of leaves and lotus palmettes filling the various compartments against the imposing ground, while heraldic lions rear across the strapwork borders. One has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kur..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awita (fish around the lotus) pattern from Senna, Eastern Kurdistan area late 19th century. The field design on this rug ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.40. This offset pattern is composed of palmettes and stems with large forked leaves, one has the impression that it is only part of a larger scheme designed 17th-century rug ..

The source of the rug comes from the book Völker, Angela, Die Orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. The rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria...

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagireh..

The source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. The interpreted design is composed of candelabra Elems and motifs rows filling the various..

This geometric lattice pattern rug has the impression that it is only part of a larger scheme-designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration pur..

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flowers designed 18th-century rug from Senna, Eastern Kurdistan area. This example is special because the flowers are well..

The source of the rug comes from the book Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.37. This luxurious and varied work is known as the Cassirer dragon rug' from the name of its previous owner. It is examined in great detail in May U. Beattie's The Thyssen-B..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was designed in the early 16th century by Mamluk Sultane of Cairo, Egypt. It is exhibited at The Metropolitan Museum of Art..

The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.7. This rug is from the late 19th century, Kazak region, Caucasus area. The Akstafa design reminds the basic principles of Star Kazaks, with the birds flanking the stars..