This is a medallion design rug from the late 19th century, Heriz region, Northwest Persia area. Heriz ( Heris ) is a special Turkish knot weaving area of Persia, including many villages, located east of Tabriz in northwest Persia. Weaving has been carried on in the Heriz area certainly since the beg..

This is a white ground rug designed in the 19th century, from the Heriz region, Northwest Persia area. Heriz ( Heris ) is a special Turkish knot weaving area of Persia, including many villages, located east of Tabriz in northwest Persia. Weaving has been carried on in the Heriz area certainly since ..

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.256. This is a hexagon columns rug from the late 19th century, Shirvan region, Caucasus area. This represents a well-known type of Shirvan carpet composition which has ..

The source of the carpet comes from the book The Kevorkoff Carpet, Hali Magazine 1994 Issue 73. This is a large and brilliantly colored, derivation from a vase carpet, an 18th-century rug from the North-west Persia area. As mentioned in the Hali magazine article by Ian Bennett, the original size is ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.45. This is a popular design employed by the Kurds, called bid majnum (or Bid Majnun, weeping willow) 17th-century rug from Sa'uj Bulagh, Eastern Kurdistan area. Four differe..

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets were woven. It is difficult to guess the size of these carpets from a photo, but here we enter the area of the "Wagireh..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

This unique design rug is interpreted by our designers with a composition of pictorial village life. Color summary:  11 colors in total; Yellow Green 419 (Henna - Indigo) Pine Tree  420 (Henna - Indigo) Natural Wool Color  320 (Specially Washed) Fiery Orange 6 (Madder Root) Ginger Church 1..

The source of the carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.81. This is an example of one of the most intriguing design groups of carpets from the Caucasus and North-west Persia area, and surrounding regions 17th to 18th centu..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.33. This is a fine Kurdish workshop rug with split-palmette and trefoil arabesque patterns designed mid-19th century rug from Senna or Garrus, Eastern Kurdistan area. This de..

This is a Bidjar rug designed in the 19th century from the Bidjar region, also known as Bijar, which is a region in northwestern Iran known for producing some of the finest and most durable rugs in the world. During the 19th century, Bidjar rugs gained prominence and were in high demand. They were f..

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons probably created in Istanbul and sent to Cairo at that time.The design source of the carpet comes from the book by McMull..

The source of the rug comes from the book Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.87-88-90. This is a large medallion rug from the late 19th century, Karabakh, Chelaberd region ( Tchelaberd, a village slightly to the southeast of Chondzoresk ), Caucas..

The source of the rug comes from the book Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.57. This is a large medallion rug from the late 19th century, Karabakh, Chelaberd region ( Tchelaberd, a village slightly to the southeast of Chondzoresk ), Caucasus area. At Chelaber..

The design source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.29 and Oriental Rugs Volume 1 Caucasian, Ian Bennett, Oriental Textile Press, Aberdeen 1993, nr.93 and Caucasian Carpets, E...

The source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.26-27. This is a famous design group of rugs with two medallions from the 19th century, Chondzoresk (meaning 'the little apple', a ..

The design source of the rug comes from the book Tapis du Caucase - Rugs of the Caucasus, Ian Bennett & Aziz Bassoul, The Nicholas Sursock Museum, Beirut, Lebanon 2003, nr.46. This is a double migrab prayer rug from the late 19th century, Genje region, Caucasus area. There are hooked medallions ..

There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern composed of different colored overlaid lattices formed of pointed, serrated leaves creating intersecting lozenges, which alternately con..

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.57. There has long been a fascination with the symbolism of the dragon and its depiction in carpet weavings. The design of ‘Dragon’ carpets consists of a field pattern c..

This is another Kazak example of the Fachralo is a town north of Lori-Pambak and just southwest of Bordjalou, from the late 19th century, Caucasus area. It has given its name to a number of usually small, boldly designed, and brilliantly colored Kazak rugs but, although this has proved a useful desc..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awita (fish around the lotus) pattern from Senna, Eastern Kurdistan area late 19th century. The field design on this rug ..