The source of carpet comes from the book Museo Calouste Gulbenkian, Printed by Gulbenkian Museum Lisbon, in 2015, nr.52. This is a vase-technique carpet design in the 17th century in the Kerman region, of Persia. In the 16th century, in Safavid Persia, medallion rugs were among the most appreciated,..

This unique design rug is interpreted by our designers with a composition of pictorial village life. Color summary: 9 colors in total; Fiery Orange 6 (Madder Root) Dark Brown  316 (No Dye - Sheep’s Own Color) Dark Sky Blue 23 (Indigo) Charleston Green 50 (Spurge - Indi..

This is a with a central medallion carpet design 19th century from Garrus ( Gerous or Garus ) region, Eastern Kurdistan area. Garrus is located in the foothills approaching the flatlands of Persia, Garrus has been a significant Kurdish city since antiquity when it was the capital of Media Minor. Imp..

This rug has an interpreted design composed of a geometric lattice pattern taken from a part of the Mamluk rug, filling the field elegantly, has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. Mamluk carpets originated in a p..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.63. This is a lattice design 17th-century carpet from Khorasan, Eastern Persia. Dr. Friedrich Spuhler was formerly Curator of Islamic Art in Berlin-Dahlem. In 1978 he bec..

This lattice pattern is composed of palmettes and leaves filling the various compartments against the imposing ground. One has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. These designs have often been described as wagireh..

The source of carpet comes from the book Völker, Angela, Die orientalischen Knüpfteppiche das MAK, Vienna: Böhlau, 2001: 42–5. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. It is exhibited at MAK – Museum of Applied Arts, Vienna Austria...

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awita (fish around the lotus) pattern from Senna, Eastern Kurdistan area late 19th century. The field design on this rug ..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flowers designed 18th-century rug from Senna, Eastern Kurdistan area. This example is special because the flowers are well..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flowers designed 18th-century rug from Senna, Eastern Kurdistan area. This example is special because the flowers are well..

This rug has an interpreted design composed of a palmette lattice pattern taken from a part of the Mamluk rug, filling the field elegantly. These kinds of rugs have often been described as wagirehs or samplers and were said to have been used as weaver`s aids, or for demonstration purposes, made as a..

The source of the rug comes from the book Caucasian Carpets, E. Gans-Reudin, Thames and Hudson, Switzerland 1986, pg.37. This luxurious and varied work is known as the Cassirer dragon rug' from the name of its previous owner. It is examined in great detail in May U. Beattie's The Thyssen-B..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was designed in the early 16th century by Mamluk Sultane of Cairo, Egypt. It is exhibited at The Metropolitan Museum of Art..

The source of the rug comes from the book Orient Star – A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.7. This rug is from the late 19th century, Kazak region, Caucasus area. The Akstafa design reminds the basic principles of Star Kazaks, with the birds flanking the stars..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.178. This is an unusual border drawing, medallion carpet design 16th-century carpet from the Konya region, Central Anatolia area, Turkey. A detail in the border drawing i..

This small piece exhibits a forceful design on a small scale in a small area. These kinds of small Turkish yastiks or mats are found which contain an extraordinary amount of power within a very small space. A large octagon medallion in the center is so large that it almost touches the edge of the fi..

This small piece of rug exhibits a forceful design on a small scale in a small area. These kinds of small Turkish yastiks or mats are found which contain an extraordinary amount of power within a very small space. There is a large octagon medallion in the center-so large it almost touches the edge o..