The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th-century rugs from Gerous ( Garrus or Garus ) region, Eastern Kurdistan area. This rug is a splendid echo of the Arabe..

The design source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th-century rugs from Gerous ( Garrus or Garus ) region, Eastern Kurdistan area. This rug is a splendid echo of th..

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.22. This is a system of arabesque-designed 19th-century rugs from Gerous ( Garrus or Garus ) region, Eastern Kurdistan area. This rug is a splendid echo of the Arabe..

This is an arabesque style connected palmette and flowers designed carpet 19th century from Garrus ( Gerous or Garus ) region, Eastern Kurdistan area. Garrus is located in the foothills approaching the flatlands of Persia, Garrus has been a significant Kurdish city since antiquity when it was the ca..

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets were woven. It is difficult to guess the size of these carpets from a photo, but here we enter the area of the "Wagireh..

The source of rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.79. This is an unusual design of 18th or 19th-century rug from Khila, Kuba region East Caucasus area. Very similar palmettes, drawn in a curvilinear manner and combined with..

The source of rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.79. This is an unusual design of 18th or 19th-century rug from Khila, Kuba region East Caucasus area. Very similar palmettes, drawn in a curvilinear manner and combined with..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be seen ..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.75. This offset pattern is composed of ascending shield-like palmettes flanked by leaf-like wings designed for 17th to 18th-century rugs from Azerbaijan, the North-west ..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.26. This is a long Khorassan Compartment and tree design 17th-century ..

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets were woven. It is difficult to guess the size of these carpets from a photo, but here we enter the area of the "Wagireh..

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets were woven. It is difficult to guess the size of these carpets from a photo, but here we enter the area of the "Wagireh..

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets were woven. It is difficult to guess the size of these carpets from a photo, but here we enter the area of the "Wagireh..