This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.75. This offset pattern is composed of ascending shield-like palmettes flanked by leaf-like wings designed for 17th to 18th-century rugs from Azerbaijan, the North-west ..

The source of the carpet comes from the book Oriental Rugs in the Metropolitan Museum of Art, Dimand, Maurice S., and Jean Mailey, The Metropolitan Museum of Art, New York 1973 fig.90. If the so-called vase-technique carpets represented the triumph of Safavid workshop weaving in the seventeenth cent..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.40. This offset pattern is composed of palmettes and stems with large forked leaves, one has the impression that it is only part of a larger scheme designed 17th-century rug ..

The source of the rug comes from the book Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.28. This Persian Garden design rug belongs to the second half 18th century from the Persia area. The design of this rug is based on the Formal Persian Garden. There ..

This is a with a central medallion carpet design 19th century from Garrus ( Gerous or Garus ) region, Eastern Kurdistan area. Garrus is located in the foothills approaching the flatlands of Persia, Garrus has been a significant Kurdish city since antiquity when it was the capital of Media Minor. Imp..

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.79. This is unusual design 18th or 19th century rug from Khila, Kuba region East Caucasus area. Very similar palmettes, drawn in a curvilinear manner and combined with i..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The design source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of ..

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.26. This is a long Khorassan Compartment and tree design 17th-century ..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.26. This is a long Khorassan Compartment and tree design 17th-century ..