This is a with a central medallion carpet design 19th century from Garrus ( Gerous or Garus ) region, Eastern Kurdistan area. Garrus is located in the foothills approaching the flatlands of Persia, Garrus has been a significant Kurdish city since antiquity when it was the capital of Media Minor. Imp..

The most dramatic of the Gerous ( Garrus, Gerus, Garus ) carpets are those with an "asymmetric" design. Only a section of the original is shown, in the same way, many Lotto carpets were woven. It is difficult to guess the size of these carpets from a photo, but here we enter the area of the "Wagireh..

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.79. This is unusual design 18th or 19th century rug from Khila, Kuba region East Caucasus area. Very similar palmettes, drawn in a curvilinear manner and combined with i..

The source of carpet comes from the book Museo Calouste Gulbenkian, Printed by Gulbenkian Museum Lisbon, in 2015, nr.52. This is a vase-technique carpet design in the 17th century in the Kerman region, of Persia. In the 16th century, in Safavid Persia, medallion rugs were among the most appreciated,..

This rug has an interpreted design composed of a geometric lattice pattern taken from a part of the Mamluk rug, filling the field elegantly, has the impression that it is only part of a larger scheme designed 15th-century rug from the Mamluk era, Cairo region, Eygpt. Mamluk carpets originated in a p..

The source of the rug comes from the possession of Endre Unger, which was sold at Sotheby’s in 1992. That rug with the central star was designed in the early 16th-century rug by Mamluk Sultane of Cairo, Egypt. The interpreted design is composed of Jerrehian rug's border motifs lattice, covering the ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..

The source of the rug comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.82. This was an exclusive example of a palmette lattice design 19th-century rug from Northwestern Persia. The design employs floral, richly complex repeating ar..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed for 19th-century rugs from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can..

This offset pattern is composed of palmettes and flowers, one has the impression that it is only part of a larger scheme designed 19th-century rug from the Bidjar region, Eastern Kurdistan area. Very similar palmettes, drawn in a curvilinear manner and combined with identical forked leaves, can be s..

The source of carpet comes from the book Orient Stars Collection, Anatolian Tribal Rugs 1050-1750, Michael Franses, Hali Publications Ltd, 2021 fig.27. This 13th-century carpet is from probably the Konya region, central Anatolia, circa 1200-1300 (C 1290-1420). It is exhibited at the Museum of Turkis..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.26. This is a long Khorassan Compartment and tree design 17th-century ..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.64 and Islamic Carpets, Joseph V. McMullan, Near Eastern Art Research Center Inc., New York 1965 nr.26. This is a long Khorassan Compartment and tree design 17th-century ..

The source of carpet comes from the book How to Read - Islamic Carpets, Walter B. Denny, The Metropolitan Museum of Art, New York 2014 fig.61,62. The five-star-medallion carpet was designed in the early 16th century by Mamluk Sultane of Cairo, Egypt. It is exhibited at The Metropolitan Museum of Art..

This unique design rug is interpreted by our designers with a mixture of Ararat Rugs’ soft tone natural dyed hand-spun yarns.Color summary: 11 colors in total, most used 4 colors are;Mix of Pink YarnsDusty Turquoise  340 (Spurge - Madder Root - Indigo - Walnut Husk) Green Blue  344 (Spurge - Madder ..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.63. This is a lattice design 17th-century carpet from Khorasan, Eastern Persia. Dr. Friedrich Spuhler was formerly Curator of Islamic Art in Berlin-Dahlem. In 1978 he bec..

Carpets called Siebenburgen or Transylvanian are those which have been found in the Protestant churches of Siebenburgen. Some of them carry a label on the back stating where, when and by whom the piece has been donated to the church. Siebenbürgen/Transylvania is an area between the South and the Eas..

Turkish Court Manufactury Rugs were woven in the Egyptian workshops founded by the Ottoman Empire in the 16th century. Those carpets were woven in Egypt, following the paper cartoons probably created in Istanbul and sent to Cairo at that time. Shortly after its conquest by the Osmanli Turks (1517), ..

The source of rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.33. This is a fine Kurdish workshop rug with split-palmette and trefoil arabesque patterns designed mid-19th century rug from Senna or Garrus, Eastern Kurdistan area. This design..