The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flowers designed 18th-century rug from Senna, Eastern Kurdistan area. This example is special because the flowers are well..

The source of carpet comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.81. This is an example of one of the most intriguing design groups of carpets from the Caucasus and North-west Persia area, and surrounding regions 17th to 18th century. ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.33. This is a fine Kurdish workshop rug with split-palmette and trefoil arabesque patterns designed mid-19th century rug from Senna or Garrus, Eastern Kurdistan area. This de..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.45. This is a popular design employed by the Kurds, called bid majnum (or Bid Majnun, weeping willow) 17th-century rug from Sa'uj Bulagh, Eastern Kurdistan area. Four differe..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.31. This blue background rug has a variation of masi awita (fish around the lotus) pattern from Senna, Eastern Kurdistan area late 19th century. The field design on this rug ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.40. This offset pattern is composed of palmettes and stems with large forked leaves, one has the impression that it is only part of a larger scheme designed 17th-century rug ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.40. This offset pattern is composed of palmettes and stems with large forked leaves, one has the impression that it is only part of a larger scheme designed 17th-century rug ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.4. This was an exclusive example of a Mina Khani lattice design mid-19th century rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice design c. 1800s rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of aster f..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.2. This was an exclusive example of a Mina Khani lattice design c. 1800s rug from Koliya'i, Southern Kurdistan area. The mina khani is composed of a series of rows of aster f..

The source of the rug comes from the book Orient Star - A Carpet Collection, E. Heinrich Kirchheim, Hali Publications Ltd, 1993 nr.75. This offset pattern is composed of ascending shield-like palmettes flanked by leaf-like wings designed for 17th to 18th-century rugs from Azerbaijan, the North-west ..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive example of offset rows of ascending flowers design rug c.1800s from Garrus, Eastern Kurdistan area. This type of rug has been called "Joshagan" in th..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive example of offset rows of ascending flowers design rug c.1800s from Garrus, Eastern Kurdistan area. This type of rug has been called "Joshagan" in th..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive example of offset rows of ascending flowers design rug c.1800s from Garrus, Eastern Kurdistan area. This type of rug has been called "Joshagan" in th..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.36 This was an exclusive example of offset rows of ascending flowers design rug c.1800s from Garrus, Eastern Kurdistan area. This type of rug has been called "Joshagan" in th..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns,2002 nr.36 This was an exclusive example of offset rows of ascending flowers design rug c.1800s from Garrus, Eastern Kurdistan area. This type of rug has been called "Joshagan" in the..

The source of the rug comes from the book Antique Rugs of Kurdistan A Historical Legacy of Woven Art, James D. Burns, 2002 nr.28. This was an exclusive example of offset rows of flowers designed 18th-century rug from Senna, Eastern Kurdistan area. This example is special because the flowers are well..